It is the pain that is trapped in their souls and their bodies. Their cries will not be heard because the rough mouth is closed forever silenced.
The pain comes to the surface due to things that have stuck with me from my childhood: heads of babies with patches on the mouth, teeth, bird cages, dead birds, mousetraps, nails, and so on.
The language of the memory of my childhood and the language of everyday things that a symbolic and dramatic charge have to define my work: Head baby pain.
The method boils down to the use of porcelain with celadon glaze (a traditional Chinese glaze) for the heads, and various combined materials for the body.